NYT Movie Reviews

Ryan Murphy, the creator of the TV shows “Glee” and “Nip/Tuck,” has directed Julia Roberts in the film “Eat Pray Love.”

This week, A. O. Scott looks at the unique jobs explored in Errol Morris's "Fast, Cheap and Out of Control."

The director Edgar Wright discusses bringing Bryan Lee O'Malley's "Scott Pilgrim" comics to the big screen.

Erkin Rakishev, a Kazakh director, has announced that he will soon begin shooting "My Brother, Borat," a pro-Kazakhstan sequel to Sacha Baron Cohen's mock documentary.

Eddie Marsan’s modest background can give him an extra edge in delving into his characters.

Five Errol Flynn World War II films, directed by Raoul Walsh and Lewis Milestone, are included in the DVD boxed set “Errol Flynn Adventures.”

Mark V. Hurd’s ouster after a relationship with Jodie Fisher has put an unsavory end to one of the most notable executive turns in American business history.

“The Other Guys,” a buddy comedy starring Will Ferrell, took in about $35.6 million at the North American box office.

Lisa Spellman, the owner of an art gallery, lives in a town house on Charlton Street that appears in Oliver Stone’s upcoming sequel to “Wall Street.”

Netflix foresaw its possible demise at the moment of its creation and acted to prevent it by finding its place in new technologies.

Will Ferrell teams with the director Adam McKay again, this time at a police station with Mark Wahlberg.

The Israeli filmmaker Samuel Moaz wrote and directed this story of the 1982 invasion of Lebanon.

Rick Moody’s comic novel is built around a 2025 remake of a B-movie horror flick.

The director was expecting about 300 hours of submissions. He got 4,600.

In “The Kid: Chamaco,” the first feature from Miguel Necoechea, a Mexican boy dreams of becoming a famous boxer.

The band also performed at Madison Square Garden on Thursday night without the help of the director's robotic commands.

Manoel de Oliveira raises questions about the nature of life in “Eccentricities of a Blond Hair Girl,” an adaptation of a short story by Eça de Queiros.

Mrs. D’Amico, who worked with some of Italy’s greatest directors, including De Sica, Antonioni and Visconti, put her stamp on postwar neorealism.

“Twelve” is the latest book-to-screen titillation in a genre that wallows in the sophisticated travails of rich, potty-mouthed lost youth.

George Gallo’s “Middle Men” follows three men who are brokers in a booming global business: Internet pornography.