NYT Movie Reviews

The bungled wedding story and the road movie collide happily in “White Wedding.”

The Museum of Modern Art and TCM are revisiting “The March of Time” series, short films created from 1935 to 1951 that examine foreign affairs and social issues.

Ms. King played Scarlett O’Hara and Rhett Butler’s ill-fated little girl, Bonnie Blue Butler, in “Gone With the Wind.”

A boy loses his rodent and finds a girl in “Etienne!,” a sunny-sweet fable about healing wounds with the balm of the open road.

An alcoholic finds self-respect as the coach of a high school girls’ basketball team in “The Winning Season.”

Robert Rodriguez’s splatter comedy “Machete” is a live-action comic book with roots in the pungent swamp of 1970s B movies.

The animation team Paul and Sandra Fierlinger, in films like “My Dog Tulip,” use custom-made computers to create their hand-drawn-looking images.

“The Town” gives Ben Affleck another chance to shine as writer, director and star.

The documentary is adapted from the writing of Bjorn Lomborg, a Danish statistician who has argued against what he believes are extreme and alarmist scenarios presented by other environmentalists.

Mr. Douglas, the actor and "Wall Street" star, said he had been given the diagnosis over the summer and that he believed he had an 80 percent chance of recovery.

This suspense thriller, directed by Anton Corbijn, is often more evocative of the art house than of the multiplex.

Wynton Marsalis and friends provided the live accompaniment for a silent film about Louis Armstrong’s childhood.

The new film “Louis” is shown with live music led by Wynton Marsalis.

Paul Hogan, the Australian-born, actor who is based in the United States, has been unable to leave Australia because of a tax dispute.

Final figures show it was edged out by "Takers."

A. O. Scott looks back at the 1963 caper film starring Cary Grant, Audrey Hepburn and Walter Matthau.

The 1981 Dudley Moore comedy “Arthur” is being remade, starring Russell Brand, and filming is taking place all over Manhattan and Queens.

How does Joel Silver, the producer behind “Die Hard” and “The Matrix,” adapt to a movie industry that is cutting costs?

A PG-13 rating and a wide release helped push the horror movie “The Last Exorcism” to No. 1 at the box office.

Nagesh Kukunoor’s “Aashayein” is a genre-defying Bollywood look at death.